{"id":318,"date":"2011-08-26T09:02:53","date_gmt":"2011-08-26T07:02:53","guid":{"rendered":"http:\/\/www.quelibroleo.com\/noticias\/?p=318"},"modified":"2011-08-26T09:10:22","modified_gmt":"2011-08-26T07:10:22","slug":"una-edicion-critica-de-los-trabajos-que-zambrano-dedico-a-ortega","status":"publish","type":"post","link":"https:\/\/quelibroleo.com\/noticias\/autores\/una-edicion-critica-de-los-trabajos-que-zambrano-dedico-a-ortega\/","title":{"rendered":"Una edici\u00f3n cr\u00edtica de los trabajos que Zambrano dedic\u00f3 a Ortega"},"content":{"rendered":"<p><a href=\"http:\/\/www.quelibroleo.com\/noticias\/wp-content\/uploads\/2011\/08\/maria-zambrano.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-thumbnail wp-image-319\" style=\"border-style: initial; border-color: initial; border-width: 0px;\" title=\"Mar\u00eda Zambrano\" src=\"http:\/\/www.quelibroleo.com\/noticias\/wp-content\/uploads\/2011\/08\/maria-zambrano-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/quelibroleo.com\/noticias\/wp-content\/uploads\/2011\/08\/maria-zambrano-150x150.jpg 150w, https:\/\/quelibroleo.com\/noticias\/wp-content\/uploads\/2011\/08\/maria-zambrano-300x300.jpg 300w, https:\/\/quelibroleo.com\/noticias\/wp-content\/uploads\/2011\/08\/maria-zambrano.jpg 400w\" sizes=\"auto, (max-width: 150px) 85vw, 150px\" \/><\/a><\/p>\n<p>La editorial Trotta presenta en una edici\u00f3n cr\u00edtica todos los trabajos que <a title=\"Mar\u00eda Zambrano\" href=\"http:\/\/www.quelibroleo.com\/autor-zambrano-maria-22477.html\" target=\"_blank\">Mar\u00eda Zambrano<\/a> dedic\u00f3 a su maestro, <a title=\"Jos\u00e9 Ortega y Gasset\" href=\"http:\/\/www.quelibroleo.com\/autor-ortega-y-gasset-jose-2725.html\" target=\"_blank\">Jos\u00e9 Ortega y Gasset<\/a>, a trav\u00e9s de art\u00edculos, manuscritos in\u00e9ditos y cartas enviadas por ella, hoy por hoy existentes, mostrando a trav\u00e9s de las variantes de los textos la modulaci\u00f3n temporal de una visi\u00f3n que nunca fue est\u00e1tica sino que se fue enriqueciendo con el aporte de nuevos matices.<\/p>\n<p>Mar\u00eda Zambrano habl\u00f3 de \u00abfiliaci\u00f3n\u00bb para caracterizar la relaci\u00f3n de su pensamiento con el de Jos\u00e9 Ortega y Gasset. Esta filiaci\u00f3n fue, sin embargo, extremadamente problem\u00e1tica. Ni el padre se reconoci\u00f3 como tal (m\u00e1s bien, al contrario, censur\u00f3 la orientaci\u00f3n inicial del pensamiento de su disc\u00edpula), ni la hija pudo ser reconocida como tal por su maestro.<\/p>\n<p><!--more--><\/p>\n<p>Pese a ello, se puede calificar de funci\u00f3n ejemplar de maestro la que ejerci\u00f3 Ortega ante Zambrano y todos los de su generaci\u00f3n. Los vericuetos de la historia y de las vidas personales hicieron que esta funci\u00f3n se volviese voz y recuerdo lejanos, pero de una inusitada perennidad.<\/p>\n<p>Zambrano dijo de Ortega que \u00abcreaba un \u00e1mbito de distancia colmado de confianza que despertaba -y exig\u00eda-, en los que en \u00e9l entraban, el sentir de lo intangible de cada persona\u00bb. \u00abPor eso -a\u00f1ad\u00eda ella- el di\u00e1logo con \u00e9l se desenvolv\u00eda con poco esfuerzo, a pesar de las diferencias\u00bb. En contad\u00edsimas ocasiones, ella mostr\u00f3 p\u00fablicamente esas diferencias, esas desavenencias, filos\u00f3ficas y pol\u00edticas, ambas de hondo calado. Al final de su vida, las hizo un poco m\u00e1s expl\u00edcitas, en los libros y, sobre todo, en las cartas.<\/p>\n<p>APUNTES BIOGR\u00c1FICOS<\/p>\n<p>Mar\u00eda Zambrano, hija de Blas Zambrano (maestro nacional, amigo de Machado y uno de los paradigmas del humanismo espa\u00f1ol de comienzos del siglo XX), naci\u00f3 en V\u00e9lez-M\u00e1laga en 1904. Tras la primera infancia pasada en su lugar natal _a\u00f1os y entorno que considerar\u00e1 luego decisivos para el posterior surgimiento de su vocaci\u00f3n filos\u00f3fica_, vivir\u00e1 en Madrid, Segovia, y de nuevo en la capital, donde ser\u00e1 disc\u00edpula de Ortega y Gasset y uno de los polos juveniles de la renovaci\u00f3n cultural en torno a 1930.<\/p>\n<p>Durante la guerra civil espa\u00f1ola y desde Madrid, Chile, Valencia y Barcelona, escribi\u00f3 y particip\u00f3 muy activamente en m\u00faltiples actividades culturales a favor de la Rep\u00fablica, siendo integrante del nuevo humanismo de la revista Hora de Espa\u00f1a. Su obligado exilio comenz\u00f3 en 1939 y transcurrir\u00e1 en un constante vaiv\u00e9n entre Europa y Am\u00e9rica.<\/p>\n<p>Regres\u00f3 a Espa\u00f1a en 1984, instal\u00e1ndose definitivamente en Madrid. Desarrolla entonces una renovada actividad, rodeada y ayudada por sus amigos, y en 1988 le es concedido el premio Cervantes. Muri\u00f3 en 1991.<\/p>\n<p><strong>MADRID, 25 (EUROPA PRESS)<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>La editorial Trotta presenta en una edici\u00f3n cr\u00edtica todos los trabajos que Mar\u00eda Zambrano dedic\u00f3 a su maestro, Jos\u00e9 Ortega y Gasset, a trav\u00e9s de art\u00edculos, manuscritos in\u00e9ditos y cartas enviadas por ella, hoy por hoy existentes, mostrando a trav\u00e9s de las variantes de los textos la modulaci\u00f3n temporal de una visi\u00f3n que nunca fue &hellip; <a href=\"https:\/\/quelibroleo.com\/noticias\/autores\/una-edicion-critica-de-los-trabajos-que-zambrano-dedico-a-ortega\/\" class=\"more-link\">Continuar leyendo<span class=\"screen-reader-text\"> \u00abUna edici\u00f3n cr\u00edtica de los trabajos que Zambrano dedic\u00f3 a Ortega\u00bb<\/span><\/a><\/p>\n<div class='heateorSssClear'><\/div><div  class='heateor_sss_sharing_container heateor_sss_horizontal_sharing' 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